

Review: Antigone (Tron Theatre)
Sophocles was not concerned with characters being relatable. Not that he didn’t want audiences to empathise with his characters, but rather that making them everyday people wasn't as important in ancient Greek plays. Warlords, nobility, seers, and gods are the focus, with a line or two for a common soldier or messenger. Modern storytelling tends to speak to audiences where they are, making characters people can see themselves in. Both are trying to speak to human nature, just
Flora Gosling
Sep 243 min read


Review: Does Anyone Else Smell Curry? (theSpace @ Surgeon's Hall)
Kiren Virdee creates a space for reclamation: I recently watched a 1999 film called East Is East, a comedy-drama widely regarded as one of the best British Pakistani representations in the media. As rich a portrayal as it was, I was struck by the fact that a major plot point revolves around two Pakistani girls being “unattractive”. The audience is expected to laugh at these young women for their size, their facial features, and their body hair. How must it feel...
Flora Gosling
Aug 20, 20252 min read


Review: Chunky Jewellery (Tramway)
Autobiographical dance comedy has its charms: When I hear a title like Chunky Jewellery, from Barrowland Ballet, my Gen Z mind races thinking about the kind of chunky jewellery I know. The likes of Tatty Divine, big plastic bananas and moustaches dangling from wrists and ears, and the millennial celebration of all things bright and tacky that was slowly phased out to make way for more conservative trends. Then I see an array of big-beaded necklaces, the kind you would find in
Flora Gosling
Aug 4, 20252 min read


Review: Ugly Sisters (Underbelly)
There is a show about a celebrity turned radical feminist transphobe that has been grabbing headlines since well before the festival started
Flora Gosling
Aug 18, 20242 min read


Review: OWEaDEBT (Summerhall)
Feathered fun with a crazy swan: You probably know that Swan Lake is a story that can be told in many different ways. Some versions have...
Flora Gosling
Aug 9, 20242 min read


Review: Hedda Gabler (Bard in the Botanics)
Nicole Cooper shines as Hedda: Nothing proves a point about women’s “infinite variety” like opening your season with Jane Eyre and...
Flora Gosling
Jul 2, 20243 min read


Review: Dead Girls Rising (Tron Theatre)
Toxic healing, girls?: It is a curse of feminist theatre that it can never really solve the problems it raises. That is true of any art...
Flora Gosling
May 20, 20243 min read


Review: Maria (The Old Hairdressers)
Mary Magdalene reintroduced, but not revived: Thought you know_____? Well, think again! Perhaps it is a trope that theatre makers like to...
Flora Gosling
Feb 27, 20242 min read


Review: HIGH STEAKS (Summerhall)
ELOINA gets to the meat of labiaplasty: It's rare to find a show that feels like it is at the beginning of a conversation. Even the...
Flora Gosling
Sep 30, 20233 min read


Review: Poles: The Science of Magnetic Attraction (Pleasance Courtyard)
High heels and heavy hearts in Amelia Pitcher’s One Woman Show. This is a title that needs a photo to accompany it. Poles: The Science...
Flora Gosling
Aug 25, 20222 min read
