Flora Gosling
- May 17
- 2 min
Review: Love the Sinner (Tron Theatre)
An invitation to a dark underbelly of millennial sins: Performance poetry could be so much more than it is often allowed to be...
Flora Gosling
- Sep 1, 2022
- 2 min
Review: You're Safe Til 2024: Deep History (Pleasance Courtyard)
Lessons from deep time, and why we shouldn’t listen to them - Something you may not know about me is that a few years ago I had the job...
Flora Gosling
- Aug 20, 2022
- 3 min
Review: She/Her (Assembly George Square Studios)
This is a show about womanhood, telling women’s stories, with a title based on traditionally female pronouns. So why is the name floating...
Flora Gosling
- Aug 16, 2022
- 2 min
Review: Godot is a Woman (Pleasance Dome)
We have waited a long time for an all-female adaptation of Samuel Beckett’s Waiting for Godot. It has been nearly seventy years, and...
Flora Gosling
- Aug 15, 2022
- 3 min
Review: Swell (Underbelly Cowgate)
It is hard to give examples of the scale of the climate crisis that will get through to British people. A summer that is a bit hotter...
Flora Gosling
- Aug 14, 2022
- 3 min
Review: The Beatles Were A Boyband (Gilded Balloon Patter Hoose)
To make a show about women’s safety in 2022, you must also make a show about the ways that women deal with it. In F-Bomb Theatre’s...
Flora Gosling
- Aug 12, 2022
- 3 min
Review: Take It Away, Cheryl (Greenside @ Infirmary Street)
The “hooker with a heart of gold” trope has been around for centuries. She is there to offer sage advice, become the object of the main...
Flora Gosling
- Aug 6, 2022
- 2 min
Review: Breathless (Pleasance Courtyard)
A solo play from Laura Horton about becoming buried beneath beautiful clothes. It shouldn’t have to be said, but Obsessive Compulsive...
Flora Gosling
- May 4, 2022
- 3 min
Review: hang (Tron Theatre)
“It is cruel – how the world keeps spinning. Despite everything.” So writes director Kolbrún Björt Sigfúsdóttir, describing the theme at...
Flora Gosling
- May 4, 2022
- 3 min
Review: Moorcroft (Tron Theatre)
There will always be a place in Scottish theatre for small, homely plays. Ordinary stories, that strive for an honest and earnest...