

Review: Cabin Fever (theSpace @ Symposium Hall)
Breaks no ground but pleases the crowd: Air travel has experienced a comedic resurgence of late. 90's sitcom The High Life is returning as a musical next year, airport manager and reality star Jane Boulton has been enjoying her (second) fifteen minutes of fame, and a soundbite from a certain airline has dominated social media this summer. Fresh !nk Theatre’s two-hander comedy Cabin Fever sees performers Aurelia Harris-Johnstone and Beth Miles switch between several different
Flora Gosling
Aug 172 min read


Review: ALTAR (Underbelly George Square)
Someone old, someone new in Australian queer drama: When I say I want queer romance, I don’t just mean I want a romance that happens to be queer. When I say I want queer romance, I don’t mean that I want a formulaic narrative with a couple of traumatic backstories and obstacles thrown in. When I say I want queer romance, I don’t mean that ending on a simple “love is love” message is enough for me, not in 2025. What I mean is that I want queer romance that is as messy as the e
Flora Gosling
Aug 63 min read


Review: Julia. 1984 (Summerhall)
A ruinous reimaging of Orwell’s world: For all the merits of George Orwell’s seminal dystopian novel 1984, it has one major flaw: Julia. Lover and partner-in-crime to protagonist Winston, she is defined as much by her lust as she is by her rebellion. Her entire sexual liberation is a protest against the establishment, rather than for her own gratification. Julia. 1984, a newly written piece from British-Slavic company Within Theatre, has the opportunity to change that – to gi
Flora Gosling
Aug 43 min read


Preview: Play On (Nicholson Square Venues)
Escape room drama with untapped potential: If you have ever participated in an escape room, then you know that they aren't typically playful. They can be stressful, divisive, and even euphoric, but rarely playful, and that is especially true for the two siblings in Erin Boulter’s Play On. Ash (Boulter) and Lea (Rebekka Pewterbaw) have barely left their mother’s funeral when they are told that to find their mother’s will, they must complete an escape room, one which is full of
Flora Gosling
May 12 min read


Review: Please Right Back (The Studio Edinburgh)
Bright imaginations in a bleak world
A common question about family theatre is what differentiates it from children’s theatre. It is a...
Flora Gosling
Aug 30, 20242 min read


Review: How I Learned to Swim (Summerhall)
Sorrowful solo performance stays in the shallows
If this were just a show about learning to swim at the age of thirty, that would be...
Flora Gosling
Aug 20, 20242 min read


Review: Out of Woodstock (Underbelly Cowgate)
Mud-splattered mayhem and misogyny
Edinburgh locals like to complain about the Fringe and the chaos it brings to the city, but of all...
Flora Gosling
Aug 19, 20242 min read


Review: Chokeslam (Assembly George Square)
A love of wrestling and a wrestle with love: The lights go down, the iconic “Undertaker” theme begins to chime, and around thirty...
Flora Gosling
Aug 13, 20242 min read


Review: Instructions (Summerhall)
Celebration of liveness shoots itself in the foot: “Dance, monkey, dance!” Most performances disguise the more humiliating parts of being...
Flora Gosling
Aug 8, 20242 min read


Review: The Book of Mountains and Seas (Pleasance Courtyard)
Yilong Liu’s emotional play about food, family, and Yelp: Customer review writing doesn’t get enough love. These are people who take time...
Flora Gosling
Aug 7, 20242 min read



