

Review: Baby Face (Tron Theatre)
For those who have seen it, it is difficult to watch “Baby Face” and not be reminded of a certain 70s TV advert for “Love’s Baby Soft”,...
Flora Gosling
May 4, 20222 min read


Review: Seed (BATS Theatre)
With New Zealand's Prime Minister Jacinda Ardern currently on maternity leave, becoming the first elected leader ever to do so, this...
Flora Gosling
May 4, 20223 min read


Preview Review: That Bloody Woman (Centrepoint Theatre)
In the lobby of Centrepoint theatre tonight, a blackboard was up asking who our female icon was. Though the usual suspects of "Frieda...
Flora Gosling
May 4, 20223 min read


Review: Poet Vs Pageant (BATS Theatre)
Trying to enchant an audience with a story on the back of wit and rhyme, is a style and a performance type not done enough in this time....
Flora Gosling
May 4, 20222 min read


Review: The Plastic Orgasm (Lot 23)
"This is not a show. This is an event." While I am not ordinarily a fan of pieces of theatre that consider themselves above the idea of...
Flora Gosling
May 4, 20222 min read


Review: Julius Caesar (Pop-Up Globe)
Auckland's Pop-Up Globe is a sight to behold. A scale replica of the London original, the detail that has gone into recreating the...
Flora Gosling
May 4, 20223 min read


Review: NSFW (theSpace on Niddry Street)
Hmm, I wonder if I started featuring topless production photos, whether my male audience will increase. Only really attractive actresses,...
Flora Gosling
May 4, 20222 min read


Review: The Train (The Abbey Theatre)
For better or for worse, there is no better time for feminist theatre than now. Controversy can only work to the benefit of a piece of...
Flora Gosling
May 4, 20224 min read



