Flora Gosling
May 4, 20222 min
Review: The Exorcist (Theatre Royal Glasgow)
Horrifying your audience is easier when they are trapped in a small space. We’re practically begging to be snuck up on. In a big venue...
Flora Gosling
May 4, 20222 min
Review: Horrible Histories: Terrible Tudors (King's Theatre Glasgow)
Trying to entertain a group of children is quite a task. Trying to teach a group of children is a bigger one. Trying to do both is...
Flora Gosling
May 4, 20223 min
Review: The Girl on the Train (Theatre Royal)
When you move a story from medium to medium, the challenge you face is to hold onto what made it special in the first place. After the...
Flora Gosling
May 4, 20223 min
Review: Heart of Darkness (Tron Theatre)
Just when I thought we were beginning to move away from black stories being told through white eyes, the surprise win for “Green Book”...
Flora Gosling
May 4, 20223 min
Review: The Tell-Tale Heart (Dorfman Theatre)
In a city awash with Pantos and feel-good festive shows, it is only natural that my macabre sensibilities were attracted to Anthony...
Flora Gosling
May 4, 20224 min
Review: Jane Eyre (His Majesty's Theatre)
“Jane Eyre”. Classic novel by Charlotte Brontё, translated into 30 languages, and have over 500 pages of a woman growing up in difficult...
Flora Gosling
May 4, 20223 min
Review: Trainspotting Live (EICC)
Choose life. Choose a career. Choose a family. Choose a fudging big television, choose washing machines, cars, compact disc players, and...
Flora Gosling
May 4, 20222 min
Review: Nothing (Summerhall)
Nothing matters. Nothing at all. It’s a difficult thing to hear, but that is the premise of Teater V’s production. Based on the beautiful...
Flora Gosling
May 4, 20224 min
Review: Room (Dundee Rep)
It is not that often that a story goes from being a film to a stage adaptation. More often it is the other way around, but with the huge...