

Flora Gosling
- May 4, 2022
- 2 min
Review: We Want You to Watch (theSpace on Niddry Street)
Voyeurism is a difficult topic to challenge through theatre; you can't criticise people taking enjoyment by looking at sexual images,...


Flora Gosling
- May 4, 2022
- 2 min
Review: dressed. (Tron Theatre)
Now that we are in something of an aftermath of the #MeToo movement, it seems like interest has ebbed a bit, but I think we can all agree...


Flora Gosling
- May 4, 2022
- 2 min
Review: Baby Face (Tron Theatre)
For those who have seen it, it is difficult to watch “Baby Face” and not be reminded of a certain 70s TV advert for “Love’s Baby Soft”,...


Flora Gosling
- May 4, 2022
- 3 min
Review: The Convert (The Young Vic)
For better or worse, it seems most of the attention “The Convert” is getting is for its ties to “Black Panther”. Writer Danai Gurira and...


Flora Gosling
- May 4, 2022
- 3 min
Review: Seed (BATS Theatre)
With New Zealand's Prime Minister Jacinda Ardern currently on maternity leave, becoming the first elected leader ever to do so, this...


Flora Gosling
- May 4, 2022
- 3 min
Review: In the Next Room, or the vibrator play (Court Theatre)
In a way, learning about the history of the vibrator is a worthy reason for this play to be produced. Set just as electricity was...


Flora Gosling
- May 4, 2022
- 3 min
Preview Review: That Bloody Woman (Centrepoint Theatre)
In the lobby of Centrepoint theatre tonight, a blackboard was up asking who our female icon was. Though the usual suspects of "Frieda...

Flora Gosling
- May 4, 2022
- 2 min
Review: Deep South Caesar (Gryphon Theatre)
It is not often that you get to see a one woman show about a man called Greg. Aimee Smith's satirical show follows the life of the...


Flora Gosling
- May 4, 2022
- 2 min
Review: Phone Whore (BATS Theatre)
With any piece of theatre about sex, or in any way related to sex, the ever-present question is "how graphic?" or "how kinky?" it will...


Flora Gosling
- May 4, 2022
- 2 min
Review: Girl You Want (BATS Theatre)
"Girl You Want", by Tess Mitchell, is intended to be an embodiment of her youth. Semi-autobiographical and not following any strict...